blamoscience:

The jellyfish Atolla lives worldwide in the deep sea, where light levels are very low. The jellyfish is bioluminescent — emitting blue-green light — and so are most of its prey. Scientists think that the deep red color of the animal’s stomach serves a purpose — to keep the blue light of its luminescent lunch from escaping and giving away Atolla’slocation to its own predators.

blamoscience:

The jellyfish Atolla lives worldwide in the deep sea, where light levels are very low. The jellyfish is bioluminescent — emitting blue-green light — and so are most of its prey. Scientists think that the deep red color of the animal’s stomach serves a purpose — to keep the blue light of its luminescent lunch from escaping and giving away Atolla’slocation to its own predators.

hyperallergic:

Louise Bourgeois, “Untitled” (2005) From Cheim & Read:
Bourgeois was born in Paris in 1911. She moved to New York in 1938 and lived in the city until her death last year at age 98. Her works on fabric are emblematic of certain themes: marriage, motherhood, sexuality, femininity, domesticity. This focus on the familial results in work of intense psychological complexity, exposing relationships and hierarchies related to female identity and its opposite (male/female, mother/father, organic/geometric, rigid/pliable). Coinciding with an inclination, at old age, to stay closer to home, Bourgeois’s late fabric works provide a sense of introspection – her wardrobe and linen closet became representative of memory. As Bourgeois has stated, “Clothing is…an exercise of memory. It makes me explore the past…like little signposts in the search for the past.” The re-appropriation of her husband’s handkerchiefs, stained tablecloths and napkins, and worn dresses from all phases of her life infuses the work with a confessional, talismanic aura.

hyperallergic:

Louise Bourgeois, “Untitled” (2005)

From Cheim & Read:

Bourgeois was born in Paris in 1911. She moved to New York in 1938 and lived in the city until her death last year at age 98. Her works on fabric are emblematic of certain themes: marriage, motherhood, sexuality, femininity, domesticity. This focus on the familial results in work of intense psychological complexity, exposing relationships and hierarchies related to female identity and its opposite (male/female, mother/father, organic/geometric, rigid/pliable). Coinciding with an inclination, at old age, to stay closer to home, Bourgeois’s late fabric works provide a sense of introspection – her wardrobe and linen closet became representative of memory. As Bourgeois has stated, “Clothing is…an exercise of memory. It makes me explore the past…like little signposts in the search for the past.” The re-appropriation of her husband’s handkerchiefs, stained tablecloths and napkins, and worn dresses from all phases of her life infuses the work with a confessional, talismanic aura.

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jessicaevans-:

Taaaake me!

(Source: dekky)

stay-posi:

SALEM

stay-posi:

SALEM

(via jessicaevans-)

eileenede:

Wooly Bear (by juliapott)

eileenede:

Wooly Bear (by juliapott)

(via jessicaevans-)

(Source: nsoe)

nohalfwaycrooks:

“Yo, you talking shit?”

nohalfwaycrooks:

“Yo, you talking shit?”

(Source: daysofouryouth, via jessicaevans-)

(via jessicaevans-)

laughingsquid:

Emancipation Schematication, Deconstructing Abraham Lincoln

laughingsquid:

Emancipation Schematication, Deconstructing Abraham Lincoln

(Source: sirmitchell)